Welcome!
Thomas Albert has been an active composer for over five decades; his music has been performed throughout the United States as well as in Europe, Brazil, Japan, and Korea.

“Thomas Albert’s ‘The Devil’s Handyman’ trumped even Spike Jones in offering swing music that won’t swing, deconstructed jingles and devastating parodies of musical form.”
– The Washington Post“The Devil’s Handyman”
“The composer’s imaginative, purely instrumental setting finds the humor and feeling in the words that inspired each section, while his range of sonority was delightfully fresh.”
– Pittsburgh Tribune-Review“Thirteen Ways”
“The music, acting almost like a cinematic score, pushes pace, strenghtens emotional impact and adds a new dimension of jazzy, bebop, and almost a Kerouac feel to much of the material.”
– Everybody’s News“Angels in America, Part 1”
“I loved Lizbeth ... it’s wonderful: witty, dark, sly, and smart, with a gorgeous score that perfectly complements its disturbing story. ”
– The Pittsburgh Tatler“Lizbeth”

Concert Music
Music for instrumental solo, chamber, large ensembles, solo voice, choir, and opera.
