Welcome!

“Thomas Albert’s ‘The Devil’s Handyman’ trumped even Spike Jones in offering swing music that won’t swing, deconstructed jingles and devastating parodies of musical form.”

“The composer’s imaginative, purely instrumental setting finds the humor and feeling in the words that inspired each section, while his range of sonority was delightfully fresh.”

“The music, acting almost like a cinematic score, pushes pace, strenghtens emotional impact and adds a new dimension of jazzy, bebop, and almost a Kerouac feel to much of the material.”

“I loved Lizbeth ... it’s wonderful: witty, dark, sly, and smart, with a gorgeous score that perfectly complements its disturbing story. ”